Lieutenant Eve Dallas may live in 2059, but she's still a recognizable Manhattan police officer: mouthy, courageous, skeptical and impatient. In Roberts's latest In Death novel (after Purity in Death), she's charged with finding a killer who murders young people full of innocence and promise, photographs them after death, then taunts both a top reporter and Dallas herself with notes about his handiwork. Just as her investigation of Manhattan's clubs and colleges nears its peak, Eve's husband, the wealthy entrepreneur Roarke, discovers that his mother is not the cold abandoner he remembers, but a tender young Irishwoman whom his father brutally murdered. While he struggles to understand his heritage, the couple must navigate stormy marital waters. Though the mystery's denouement doesn't live up to its promise, the book ably delivers on other fronts. Intensely female yet unfeminine in any traditional sense, Dallas has a complex edge that transcends genre stereotypes and gives the book's romantic interludes a real charge. As always in Roberts's work, appealing secondary characters add genuine warmth and humor. And while this futuristic vision of New York may not be totally accurate (it's unlikely, for example, that Dallas's oft-used "bite me" will still be in vogue 50 years from now), it's perfectly calibrated to intrigue.
Louie Cogburn had spent three days holed up in his apartment, staring at his computer screen. His pounding headache was unbearable - like spikes drilling into his brain. And it was getting worse. Finally, when someone knocked at his door, Louie picked up a baseball bat, opened the door, and started swinging... The first cop on the scene fired his stunner twice and Louie died instantly. Detective Eve Dallas has taken over the investigation, but there's nothing to explain the man's sudden rage or death. The only clue is a bizarre message left on his computer screen: Absolute Purity Achieved. And when a second man dies under nearly identical circumstances, Dallas starts racking her brain for answers and for courage to face the impossible...that this might be a computer virus able to spread from machine to man...
Seasoned author Nora Roberts, writing as Robb, delivers another exhilarating entry in her popular futuristic cop series featuring Eve Dallas (Seduction in Death, etc.). Dallas, a New York police lieutenant, is a hard-bitten warrior cop who buries the pain and anger of her early childhood by excelling on the job. In her latest adventure, all the usual suspects are back: Eve's charismatic husband, Roarke; her plucky assistant, Peabody; and hipster techno-geek McNab. For this round, their objective is to take down a woman Eve arrested 10 years ago, a poisoner named Julianna Dunne. Julianna's out on parole, and now rich old men are dying sudden deaths. What's more, the ex-con wants to exact a little revenge on her one-time adversary. Eve's search for Dunne takes her all over the country, and eventually to Dallas, Tex., the city that gave her both her name and a legacy of violent nightmares. This is a satisfying, well-paced novel that offers readers a little of everything sex, death, family drama and well-orchestrated chase scenes. Although Robb's plot is tight and suspenseful, the real pleasure here comes from watching Eve struggle to maintain her distance from others, even as she finds herself tied ever more closely to her friends and family by the bonds of love. (Mar. 5)Forecast: It's a given that Roberts's books will grace the bestseller charts, but a stylish cover image depicting a ghostly, Manhattan subway entrance may attract new readers.
In the 13th installment of Robb's (aka Nora Roberts) futuristic In Death series (after Betrayal in Death), New York's Lieutenant Eve Dallas takes on a Casanova killer who targets young women via on-line poetry chat rooms. The killer sets the mood for murder with rose petals, candlelight and expensive wine laced with a deadly date-rape drug. The novel opens (as others have in the past) with Eve reliving the horror of stabbing her abusive father to death. The narrative then switches to another grim scene that of a woman who has been pushed from a balcony. With the technology available in 2059, identifying the culprit should be simple, but this killer is more inventive than most: he becomes each victim's fantasy man. To make Eve's job even more difficult, a psychological profile indicates that there may be two killers or one with a multiple-personality disorder. Robb sprinkles her narrative with the usual supporting characters: Roarke, Eve's rich husband, uses his state-of-the-art computers to assist her with the case; Peabody, Eve's assistant, is still dancing a sexual tango with Officer McNab; and Roarke's lofty but caring butler remains a thorn in Eve's side. Although Robb's energetic prose and hard-edged dialogue will keep readers engrossed, this installment offers little that is new or fresh. (Sept. 4)Forecast: Thirteen may very well be Robb's unlucky number. Although the recent revelation that J.D. Robb is Nora Roberts will prompt many new readers to pick up the latest book in the series, Robb's long-time fans may find that this well is running dry.
This 12th installment in Robb's (aka Nora Roberts) popular and critically praised futuristic cop series, set in the year 2059, finds Lt. Eve Dallas butting heads with the FBI in a race to take down a hired killer who appears to be targeting the employees of her wealthy hotelier husband, Roarke. Adding to Eve's suspicions is the sudden and unexpected visit by one of Roarke's boyhood chums from Dublin a shady character named Mick Connelly who used to run with Roarke when they were petty thieves and con men shortly after the first murder. Eve knows Mick is not the killer; in fact, she's tussled with the prime suspect, Sly Yost, before, and his signature modus operandi, what he would call "murder with class," is unmistakable. Sly's an anal sort with a taste for fine art, classical music, rape and strangulation by silver wire. But, master of disguise that he is, finding him is virtually impossible. Since the murders all take place at Roarke's hotel, Eve allows him to assist in the investigation, a stroke of creative genius on Robb's part that plays on the strengths that brought them together way back in book one (Naked in Death), and that serves to bring out Eve's softer side. So certain is Robb at maintaining an atmospheric setting for this well-paced and expertly rendered series, followers will feel as if they have gone home to the future.
In an uptown strip joint, a cop is found bludgeoned to death. The weapon's a baseball bat. The motive's a mystery. It's a case of serious overkill that pushes Eve Dallas straight into overdrive. Her investigation uncovers a private club that's more than a hot spot. Purgatory's a last chance for atonement where everyone is judged. Where your most intimate fate depends on your most intimate sins. And where one cop's hidden secrets are about to plunge innocent souls into vice-ridden damnation.
It is 2059, and New York City homicide lieutenant Eve Dallas's husband, Roarke, is producing a revival of Agatha Christie's thriller Witness for the Prosecution. On opening night, when the villainous character Leonard Vole gets his just deserts, someone substitutes a kitchen knife for the prop knife, and the actor, Richard Draco, is stabbed through the heart. Trouble is, in time-tested British mystery fashion, everyone in the cast had good reason to despise Richard, a misogynist who seduced and discarded beautiful young women, including one whom he knew to be his daughter. It's up to Eve to solve the case, an emotionally difficult task as she is no stranger to incest herself: she was beaten and raped by her father before she managed to escape him. As Eve fights to keep her head above water, she tries to bond at a deeper level with Roarke, so that her future will heal the pain of her past. Robb (aka Nora Roberts) serves up a welcome mix of edgy, sexy lovers,newfangled gadgets, classic whodunit and noir.
In 21st-century New York City, tough-as-nails cop Eve Dallas can survive a bombing, seduce her husband, and outsmart a terrorist--all on four hours of sleep. In this latest installment of the In Death series, author J.D. Robb (a.k.a. Nora Roberts) casts our heroine against an enigmatic group of terrorists named Cassandra. With no clear motivation or demands, Cassandra feeds on the thrill of senseless killing and the calculated destruction of Eve's world. Relying on her own brawn and brains, as well as that of her aid Peabody and her husband Roarke, Eve begins to unravel a mystery that began decades before. When the killer's threats land close to home, Eve knows she has no choice but to gamble her own life for the chance to save her city as well as her loved ones. J.D. Robb's combinations of mystery, suspense, and romance keep the fans of this series clamoring for more, and Loyalty in Death has equal amounts of each. While the passion between Eve and Roarke is as good as ever, the introduction of a new romantic element certainly turns up the heat and is a welcome twist. Though the evil-terrorist-in-NYC theme has been done before (most recently in The Siege), these beloved characters put up a good fight, and keep us glued to the pages.
"For some, death wasn't the enemy. Life was a much less merciful opponent." So opens the eighth and latest installment (following Holiday in Death) in Robb's (a.k.a. Nora Roberts's) futuristic crime drama series. Moody, angst-ridden Lieutenant Eve Dallas investigates a series of "sidewalk sleeper" murders. The medically skilled killer is harvesting defective human organs from New York City's homeless population. When Eve gets too close to solving the crime, she becomes the prime suspect in the death of a fellow cop and loses her badge, which nearly destroys her emotionally. But this feisty heroine isn't down for long; she rallies and returns to form as the maverick cop readers know and love. Followers of the Death series will see a slight softening in Eve's character as she puzzles over a pregnant womanAa possible nod toward the end of this series
The year is 2058. Guns are banned and medical science has learned how to prolong life to well beyond the century mark. And man has yet to stop killing man. At Cop Central, it's Lieutenant Eve Dallas's job to stand up for the dead. So begins the seventh riveting installment in Robb's (aka Nora Roberts) futuristic romantic suspense series (following Vengeance in Death). With Christmas only weeks away, Eve is stressing out trying to find the right gift for her new husband, Rourke, who "not only had everything, but owned most of the plants and factories that made it." More to her concern is the latest serial killer who is using "The Twelve Days of Christmas" as a theme for his heinous rape and murder spree. The case touches Eve on a personal level, and while flash-backs from her abusive childhood are flinchingly repetitious, it defines Eve's gritty, hard-boiled character and validates her obsessive determination to bring down the killer any way she can.