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It was the first orgasm Shelley Schwartz ever faked. She swore she’d never do it, but she was late for a career-saving meeting at Schwartz and Associates and her options were limited. If she’d faked it five minutes sooner, she might have earned her father’s approval, won the account, and bested her rival and the company golden boy, Ross Morgan. Calm, cool, and always collected, Ross is the perfect person to take over the ad agency her father founded–and the perfect opposite of Shelley, who’s distracted by her mother’s relentless matchmaking and her big sister’s marital meltdown. Is it any wonder her father has entrusted the agency to the blond, Porsche-driving Ross rather than his own flesh and blood? To add insult to injury, Ross–her new boss–has stuck Shelley with the client list from hell (Falafel Hut, anyone?). But if he thinks he’s going to chase Shelley Schwartz out of her family legacy, he’s got another thing coming. And if Shelley thinks she can resist Ross’s charms, she’s got some surprises in store as well.

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Thalia knew what it took to get the story. As a hungry intergalactic journalist, her job was to get the scoop at any cost. Whether she got it by threats, subtlety or her womanly charms, she always managed to get the story out of a subject. It didn't matter if the subject this time was a handsome Bear Shifter smuggler aboard the sector's most notorious star craft. Keep it professional, Thalia! Hyde didn't know what she was up to, but this gal had something up her sleeve. She thinks he didn't notice her sizing him up from across the bar. She thinks he didn't notice the nervous way she swallowed before offering to buy him a drink. Buy me a drink? Either she wanted information, or she wanted to lure him into a back alley so a group of Port Security could finally put a phase collar around his neck. Either way, he was curious... This 15,000+ word novella has hot Space Bear Shifter action, a Happily Ever After, no cheating and no cliffhangers! I've attached some free stories afterward as my thanks to you.

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John and Brooke are on their own, hitchhiking from town to town as they hunt the last of the Withered through the midwest--but the Withered are hunting them back, and the FBI is close behind. With each new town, each new truck stop, each new highway, they get closer to a vicious killer who defies every principle of profiling and prediction John knows how to use, and meanwhile Brooke's fractured psyche teeters on the edge of oblivion, overwhelmed by the hundreds of thousands of dead personalities sharing her mind. She flips in and out of lucidity, manifesting new names and thoughts and memories every day, until at last the one personality pops up that John never expected and has no idea how to deal with. The last of Nobody's victims, trapped forever in the body of his last remaining friend.

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SUMMARY: I killed a demon. I don’t know if it was really, technically a demon, but I do know that he was some kind of monster, with fangs and claws and the whole bit, and he killed a lot of people. So I killed him. I think it was the right thing to do. At least the killing stopped.Well, it stopped for a while.In I Am Not a Serial Killer, John Wayne Cleaver saved his town from a murderer even more appalling than the serial killers he obsessively studies.But it turns out even demons have friends, and the disappearance of one has brought another to Clayton County. Soon there are new victims for John to work on at the mortuary and a new mystery to solve. But John has tasted death, and the dark nature he used as a weapon---the terrifying persona he calls “Mr. Monster”---might now be using him.No one in Clayton is safe unless John can vanquish two nightmarish adversaries: the unknown demon he must hunt and the inner demon he can never escape.In this sequel to his brilliant debut, Dan Wells ups the ante with a thriller that is just as gripping and even more intense. He apologizes in advance for the nightmares.

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Dan Wells introduced us to John Wayne Cleaver in the chilling novels I Am Not a Serial Killer and Mr. Monster. In I Don't Want to Kill You, Cleaver faces his toughest challenge yet. John Wayne Cleaver has called a demon---literally called it on the phone---and challenged it to a fight. He's faced two monsters already, barely escaping with his life, and now he's done running; he's taking the fight to them. As he wades through the town's darkest secrets, searching for any sign of who the demon might be, one thing becomes all too clear: in a game of cat and mouse with a supernatural killer, you are always the mouse. In I Am Not a Serial Killer we watched a budding sociopath break every rule he had to save his town from evil. In Mr. Monster we held our breath as he fought madly with himself, struggling to stay in control. Now John Wayne Cleaver has mastered his twisted talents and embraced his role as a killer of killers. I Don't Want to Kill You brings his story to a thundering climax of suspicion, mayhem, and death. It's time to punish the guilty. And in a town full of secrets, everyone is guilty of something.

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The teenage (and innocent) John Wayne Cleaver swears he is not the serial killer that has emerged in his small town--despite his grisly name and a series of unpleasant and eerie similarities. His fascination with the killer leads him to launch his own investigation of sorts-- one that leads him to the identity of the murderer. There are shades of Jeff Lindsay's darkly comic Dexter series, but John Allen Nelson is miscast. His female voices are grating caricatures, and he cannot become the protagonist--his voice is too deep, assured, and assertive even when the text suggests otherwise.

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Julia is a young book editor on the rise. Jack is a British rock star at the pinnacle of his fame. Can they both get what they want—when what they need threatens to tear them apart? It’s January, 1982. Twenty-four-year-old Julia Nash has just moved in with her boyfriend, rock and roll guitarist extraordinaire Jack Kipling. Their connection deepens as Jack takes her to England to meet his intimidating mother, and afterwards to a private Caribbean island for a sensual retreat. But back in New York City, they hit a turbulent patch. Julia is in the running for a new job, while Jack prepares for a thirty-city tour and butts heads with the band’s lead singer. Things get more chaotic when Jack’s six-year-old nephew comes for a visit, Julia makes a disastrous attempt at cooking, and a new puppy wreaks havoc in the penthouse. Although free-spirited Jack likes to keep things loose, he craves more support on the home front. But Julia isn’t sure if she can ever be a domestic goddess—or if her wild boyfriend can ever be domesticated. On tour, Julia experiences the glittering excesses of private jets, mind-blowing concerts, shocking hotel room antics, and screaming headlines. Back home, she has to decide if their relationship can withstand the ravages of fame and conflicting interests—not to mention a suave bestselling author who seems to like more than her grammar sense. And when her long-lost father resurfaces, the bookish young woman must choose whether to listen to her heart, or to her head. Hilarious, entertaining and steamy, Keep Dancing will delight brand-new readers as a stand-alone novel, and serves up even more of what fans raved about in Come Dancing, the first book about Jack and Julia.

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Albums play on turntables, people read print books, and no one has to stop what they’re doing to answer a cell phone. Twenty-four-year-old Julia Nash has recently arrived in enticing but edgy Manhattan, where rent is cheap and being young and gifted is enough to get ahead. Witty, hard-working and intelligent, Julia strives at her job as a publisher’s assistant. As she learns to navigate the big city, she is also determined to make her mark. She dreams of being an editor with her own stable of authors—but it is hard to get promoted in the competitive book biz. Her greatest fear is not making it and having to return, tail between her legs, to her small hometown where her mother is waiting to say “I told you so”. Julia likes to blow off steam by going dancing downtown with her best friend, Vicky. One night, a renowned and dissipated British guitarist invites them into his VIP section. Despite an entourage of models and groupies, Jack seems to pursue Julia—but she isn't interested in a one-night-stand with an arrogant rock star. Intrigued by her resistance, Jack persists, and a tentative friendship forms based on their mutual love of the blues. When the two finally do come together, the built-up heat is sizzling. Jack exposes Julia to the trappings of fame and fortune, from mind-bending recording sessions to mind-wasting backstage parties; from gritty SoHo punk-rock clubs, to luxurious hotel rooms barraged by screaming fans. Yet Julia is afraid to lose her heart to someone with such a decadent past. As she fends off her grabby boss and tries to move up the corporate ladder, Julia’s tempestuous relationship with Jack takes her to heights she’s never known—and plunges her into depths she’s never dreamed of. Sensual and captivating, Come Dancing recalls the vibrant fashion and music milieu in a time of leather skirts, rubber bracelets, punk Mohawks, and funky street earrings. With a fascinating inside look at publishing, this entertaining story of a bookish young woman’s adventures with a rock superstar is hilarious, moving, and toe-curlingly steamy.

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Miriam is on the road again, having transitioned from "thief" to "killer". Hired by a wealthy businessman, she heads down to Florida to practice the one thing she's good at, but in her vision she sees him die by another's hand and on the wall written in blood is a message just for Miriam. She's expected...

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Miriam Black is trying to live an ordinary life, keeping her ability to see how someone dies hidden...until a serial killer crosses her path. This is the second book in the Miriam Black series. “Visceral and often brutal, this tale vibrates with emotional rawness that helps to paint a bleak, unrelenting picture of life on the edge.” —Publishers WeeklyMiriam is trying. Really, she is. But this whole “settling down thing” just isn’t working out. She lives on Long Beach Island all year in a run-down, double-wide trailer. She works at a grocery store as a checkout girl. And her relationship with Louis—who’s on the road half the time in his truck—is subject to the mood swings Miriam brings to everything she does. It just isn’t going well. Still, she’s keeping her psychic ability—to see when and how someone is going to die just by touching them—in check. But even that feels wrong somehow. Like she’s keeping a tornado stopped up in a tiny bottle. Then comes the one bad day that turns it all on her ear.

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