In her late forties, after a noisy upbringing as one of six children and adulthood as a vocal feminist and mother, Sara Maitland found herself living alone in the country and, to her surprise, falling in love with silence. In this fascinating, intelligent, and beautifully written book, Maitland describes how she set out to explore this new love, spending periods of silence in the Sinai desert, the Scottish hills, and a remote cottage on the Isle of Skye. Maitland delves deep into the rich cultural history of silence, exploring its significance in fairy tale and myth, its importance to the Western and Eastern religious traditions, and its use in psychoanalysis and artistic expression. Her story culminates in her building a hermitage on an isolated moor in Galloway, and as she guides readers through experiences of silence in this new home, she evokes a sense of peace that includes the reader in its intimate tranquility.
Armed with a suitcase and an old laundry bag filled with clothes, Kasienka and her mother head for England. Life is lonely for Kasienka. At home her mother's heart is breaking and at school friends are scarce. But when someone special swims into her life, Kasienka learns that there might be more than one way for her to stay afloat.The Weight of Water is a startlingly original piece of fiction; most simply a brilliant coming of age story, it also tackles the alienation experienced by many young immigrants. Moving, unsentimental and utterly page-turning, we meet and share the experiences of a remarkable girl who shows us how quiet courage prevails.
According to the tale, more than 10,000 years ago, a race of shepherd people colonized the banks of the river Ai in a land called Mnar, forming the cities of Thraa, Ilarnek, and Kadatheron (not to be confused with Kadath), which rose to great intellectual and mercantile prowess. Craving more land, a group of these hardy people migrated to the shores of a lonely and vast lake at the heart of Mnar, founding the metropolis of Sarnath.
SUMMARY: Free Yourself from Fears separates the irrational from the reality. Applying the power of neuro-linguistic programming (NLP), one of the fastest growing areas in applied psychology today, O'Connor goes inside the mind to explore which fears are important to our safety and survival, and how to get beyond those that prevent us from leading richly satisfying and fulfilling lives.
Although the publishers apparently intend to aim this novel at the horror market, the only horror it contains is people's inhumanity to one another--or in this case, boys' inhumanity to the oddball. Leo Joaquim, living at an orphanage, is given the miracle of a summer at Camp Friend Indeed. From the first, though, he doesn't fit in. Clumsy at sports, preferring to play the violin and collect nature specimens, he soon becomes the object of the other campers scorn; and gradually the healthy competitiveness encouraged by Friend Indeed degenerates into an endurance test between Leo and Reece Hartzig, the camp's spoiled golden-boy counselor. Leo's mind holds a tragic secret, and as the campers' pranks become more vicious and sadistic, his memories threaten to erupt in uncontrollable violence.
A young man becomes transfixed by a beautiful widow with a shadowy pastIn Pequot Landing, there are two sights to see: the largest elm in America, which dominates the stately old village green, and the house of Lady Harleigh. When the Great War ended, she was the most beautiful bride in the village, and though she was widowed soon after, mourning dampened neither her beauty nor her spirits. By the time the Great Depression rolls around, she is the unchallenged center of Pequot society—lovely and energetic, but subject to bouts of grim melancholy that hint at something dark beneath her surface.Woody is eight years old when he first notices the Lady, and her glittering elegance captures his heart. He spends his boyhood deeply in love with the mysterious widow, obsessed with the sadness that lies at her core. As he gets closer to her, he finds that Lady Harleigh is haunted—not just by grief, but by a scandalous secret that, if revealed, could change Pequot Landing forever.
An American classic rediscovered by each generation, The Story of My Life is Helen Keller’s account of her triumph over deafness and blindness. Popularized by the stage play and movie The Miracle Worker, Keller’s story has become a symbol of hope for people all over the world. This book–published when Keller was only twenty-two–portrays the wild child who is locked in the dark and silent prison of her own body. With an extraordinary immediacy, Keller reveals her frustrations and rage, and takes the reader on the unforgettable journey of her education and breakthroughs into the world of communication. From the moment Keller recognizes the word “water” when her teacher finger-spells the letters, we share her triumph as “that living word awakened my soul, gave it light, hope, joy, set it free!” An unparalleled chronicle of courage, The Story of My Life remains startlingly fresh and vital more than a century after its first publication, a timeless testament to an indomitable will.
2010 Bram Stoker Award Nominee for Superior Achievement in Nonfiction. The Conspiracy against the Human Race is renowned horror writer Thomas Ligotti's first work of nonfiction. Through impressively wide-ranging discussions of and reflections on literary and philosophical works of a pessimistic bent, he shows that the greatest horrors are not the products of our imagination. The worst and most plentiful horrors are instead to be found in reality. Mr. Ligotti's calm, but often bloodcurdling turns of phrase, evoke the dreadfulness of the human condition. Those who cannot bear the truth will pretend this is another work of fiction, but in doing so they perpetuate the conspiracy of the book's title. --David Benatar, author of Better Never to Have Been: The Harm of Coming into Existence;Department of Philosophy, University of Cape Town, South Africa
This collection features tormented individuals who play out their doom in various odd little towns, as well as in dark sectors frequented by sinister and often blackly comical eccentrics. The cycle of narratives that includes the title work of this collection, for instance, introduces readers to a freakish community of artists who encounter demonic perils that ultimately engulf their lives. These are selected examples of the forbidding array of persons and places that compose the mesmerizing fiction of Thomas Ligotti.
The recent smash success of HBO's True Detective has sparked new interest in cult horror favorite Thomas Ligotti, who was cited by the show's creator, Nic Pizzolatto, as a prime influence. Ligotti's debut story collection, Songs of a Dead Dreamer, and its follow-up, Grimscribe, marked a major evolution in supernatural horror. Influenced by the strange terrors of Lovecraft and Poe and by the brutal absurdity of Kafka, Ligotti eschews cheap, gory thrills for his own brand of horror, which shocks at the deepest, existential, levels.Ligotti's stories take on decaying cities and lurid dreamscapes in a style ranging from rich, ornamental prose to cold, clinical detachment. His raw and experimental work lays bare the unimportance of our world and the sickening madness of the human condition. Like the greatest writers of cosmic horror, Ligotti bends reality until it cracks, opening fissures through which he invites us to gaze on the unsettling darkness of the abyss below.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.'Songs of a Dead Dreamer is full of inexplicable and alarming delights . . . Put this volume on the shelf right between H. P. Lovecraft and Edgar Allan Poe. Where it belongs.' The Washington Post'Thomas Ligotti has had one of the most quietly extraordinary careers in the history of horror fiction. He is a dense, witty, and enormously inventive writer.'